DC Collectibles Superman By Moebius Statue
Based on the artwork of Moebius. Sculpted by Chris Dahlberg. Legendary artist Moebius brings his unique artistic style to the Man of Steel line with this newest entry in the line of statues based on the artwork from Superman #400. Limited edition of 5,200. Measures approximately 8.25" tall.
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"Effigy" - Part 1
Writer: Bryan Q. Miller
Penciller: Axel Gimenez
Inker: Diana Egea
Reviewed by: Marc Pritchard
Over in Gotham City, Batman and Nightwing are busy busting up a gang called The Mutants when Nightwing encounters a large alien creature in the middle of strangling a homeless man. She intervenes and is dealt a savage blow before Batman arrives and startles the creature into fleeing. Batman returns with Nightwing to the Batcave, sedates and stabilizes her, and proceeds to try and decipher a message the alien left behind. Just as he concludes that he can't decipher the message because the language is not of this Earth, John Jones arrives and declares that the language is in fact Martian.
Story - 3: There are a few things about this "parallel" story idea that make me uneasy.
(Go ahead, act surprised. I'll wait... This could turn into a rant. EDIT: Two hours later: It did.)
Ok, first is this idea that Smallville is a "machine" that "everyone" wants to keep "rolling" - which is how Miller put it in this interview with TV Guide. To the surprise of nobody around here, I don't count myself among the everyone, and in this case it's precisely because the remark - as casual or rhetorical as it might be (or however else we might want to characterize it so as not to feel wholly manipulated) - simply underscores one of the main criticisms I've levied against the property. I'll even quote myself from my review of issue 10: "I continue to find the Superman in Smallville to be less a symbol of truth and justice (and, yeah, the 'American Way,' but I'd say that's been updated and rebooted a time or two itself, plus I'm Canadian) and more a symbol of a symbol (because nor is Smallville canon) of Superman. The stories aren't about truth and justice, they're set inside Superman the symbol, the trademark, the brand. We are meant to feel truth and justice through association with the brand, not through the characterization and dramatization of truth and justice here and now." In this whatever year of our industrialization, I'm sure my feelings on this matter put me squarely in the minority, but seeing the writer comment on his own story as a "machine" really just cements the impression in my mind.
Second is that they are going to be situated within the basic continuity of issue numeration (as opposed to being an offshoot of their own, like, say, the Chloe Chronicles) but clearly aren't going to involve Superman all that much. In and of itself, that's no big deal (and is certainly not without precedent in comicdom), but we're the Superman Homepage here, not the DC Comics Homepage. Granted, I can fully appreciate Miller wanting to "fill in the rest of [his] world," but Superman better make more than token appearances is all I'm saying. Remember how you felt when Green Arrow seemed to rule the screen for weeks on end back in seasons 7-9? Yeah, let's avoid that this time, ok guys?
Third is that it runs the risk of taking from the main story (and character!) rather than adding to it(/him). Thus far, no addition. To be fair, no real subtraction, either (though I still think it's a bit early for them to be building a moon base - it's only been a month in story-world time since the start of the season, and anyway what's wrong with that tower?), but in either case you have to ask, as Superman fans first and foremost, why bother. Because, so far, "Effigy" is anything but a Superman story. It's a Martian Manhunter story that features Batman but in which Superman serves (as yet) no other purpose than to identify Double-Stuffed Oreos for his hero buddy, green at last. And, ok, fine: I love both of those characters (especially Batman, my number three all-time favorite super-hero after Supes and Spidey) but talk about straying from where Smallville began. If you thought it got ridiculous in the second half of the show's run when the characters were spending more and more time in Metropolis but still forking out the cash they couldn't possibly have to make the two- or three- or however-many-hour drive between Metropolis and Smallville for two-minute conversations, I sense you haven't seen anything yet. (But at least there's no Lana "Double-Nay-Triple Standard" Lang to have to put up with. As far as I know...)
When you combine this with the "machine" talk, you really start to feel (I do, anyway) like Miller and company are pulling the fast one of getting us to buy issues of a Superman book that don't actually feature Superman. This is not "no flights, no tights," it's "no Superman" (or Superman only very briefly and to no functional end). But, hey, it's only 99 cents, right? (If you answered "Right!" to that, I have a bridge to nowhere to sell you.)
I also know there was a period when Action Comics didn't feature Superman, but let's be honest: that was more of a return to the title's earliest days than some new development. It also made story sense, since Superman had died and everything. Here it's just more. And lots of times more is less. I'm not saying that's definitely what will happen here, but I worry it will. As I wrote the other week, I just don't think Miller is that strong a story-teller. He's pretty good with dialogue and the occasional detail, but his overall plotting, structuring and pacing leave me desiring a lot. He's now got two stories running sort of side by side and he just hasn't yet shown (me) that he has the necessary chops to make it all make sense at the other end. Though I admit the twist with Luthor and the radiation in "Guardian" was unexpected and good, I'm still fuming over the complete lack of anyone ever asking Batman why he thought an unprovoked assault on Superman was a good idea or explaining to him that what he was doing wasn't misdirection at all. "'World's Greatest Detective,' indeed!" (That's a quote from this issue. Ha!)
In sum, my fear is that Smallville, with the introduction of this every-fourth-week alternate story stuff, is about to jump the shark again.
"Effigy" begins "five minutes before the events in 'Haunted'" - which is presumably how much time is supposed to elapse before Supes gets his alert and flies off (to deal with Psimon, obviously) and not the amount of story-world time the events in "Haunted" will go on to consume (specifying "the events" making it sound like those events are/were over and done with in a... what? A flash?! How impulsive! LOL!). Will that be the pattern? Superman in the first scene of each new parallel arc, then not at all for the next three parallel installments, then back again to kick off the next one, then gone again? That will get old fast.
Or maybe Miller will surprise me and be more inventive, carefully weaving pieces of each story together so that they feel like one grand narrative. The truth is, in principle I would really dig that. Thus this little rant is mostly just me clearing the air in terms of what I'll be looking for them not to do. That they are giving these stories their own titles and whatnot, however, tells me that there isn't going to be much weaving going on at all. Who remembers 45-rpm records? Yeah, these parallel stories will seemingly serve much the same function as "B-sides."
In terms of this first issue, in any case, it was ok. It establishes a context, sets up a distinct conflict, and puts the two Smallville supporting characters together for their team-up wherein they will go and presumably resolve that conflict (taking Nightwing out of the picture, note, interestingly). I even thought the dreaded name labels in the case of Manhunter were used well (distinguishing between his two identities - meaning, they serve an actual dramatic purpose!), though I think it would have been even more effective if the first had used "J'onn J'onzz" rather than "John Jones," especially since they go on to use the "J'onzz" in that moment when he loses his mind in his apartment (he's picking up a telepathic message from the creature we meet later, I expect).
In the end, however, it's setting up something that strikes me as none-too-interesting a Smallville outing. Know why?
Art - 5: The art was really strong, though - even if I couldn't find any images of real world shoulder holsters that sacrificed their intended secrecy by having the straps cross over in front for all the neighbors and their children to see.
Cover Art -2: Pretty crap, actually. Manhunter in particular looks like he was completed in crayon, and Batman isn't much better. All told, this is a significant fall off in the quality I've come to expect from Cat Staggs. Maybe this effort at keeping the "Smallville machine rolling" wasn't such a great idea, after all.
Check out the Comic Index Lists for the complete list of Superman-related comics published in 2013.